The presence of black in the interior seems to be of little interest to manya good idea, but in vain. The possibilities of the color of the night are truly limitless. How to work with this complex shade - in our material today In the tradition of most cultures, black is considered the color of night, the unknown, fear and mourning. When it comes to design, the coordinate system changes direction to the opposite: correctly used black in the interior is the equivalent of style, impeccable taste and nobility. Our material today is about how to use this complex shade and how it can transform an existing interior.
1. Windows and doors
There are many ways to add variety to a white interior. The easiest way is to use black in measured amounts, for example, to paint door jambs and window frames.
2. Shelves
Black bookshelves or racks alsolook quite impressive (in any case, and not only when the walls are white). Moreover, with the help of a black rack you can simultaneously solve the problem of black equipment standing out against a light background: TV, music center, etc.
3. Black gold
The color of the night goes well with almost everythingall shades. But if your soul requires something completely special, think about the spectacular duet of black and gold. It is not at all necessary to decorate the entire interior in these shades, a few accents will be enough.
4. Bedroom
The riskiest option is to useblack in the bedroom. Here you need to be especially careful: a black accent wall in a light interior is the maximum you can afford. As for the details, there is plenty of room to roam: figurines, vases, photo frames, contrasting patterns in textiles have the right to exist - both together and separately.Mito Melitonyan, architect:"Black is considered a gloomy color in the interior, and many avoid it. But in fact, it has an unlimited number of possibilities! If you have already decided to use black, you need to be confident in your abilities, since black and white interiors are an indicator of the owner's perfect taste, and here the slightest mistake can lead to a fiasco. Firstly, it is always worth remembering that this color (like any other) has an infinite number of shades: from deep black to graphite dark gray, which can also be classified as black. Secondly, there are several types of coatings (from matte to glossy), which affect the perception of black."
5. Hallway
If you are not sure that you can live with such an intense shade, try it first in the hallway. You can paint doors, baseboards, moldings, hangers and furniture fittings black.
6. Staircase
A simple black wooden staircase looks impressive in any home and in any environment, but such a strong accent requires support in the details: in the wallpaper pattern, wall decor or textiles.
7. Bathroom
Another room that can be usedfor testing new decorating techniques – the bathroom. We certainly spend more time here than in the hallway, and with good lighting and a light background, black can bring freshness even to this tiny room.
Expert Advice
Mito Melitonyan, architect:“I was born into a family of architects, and I was lucky enough to be the 12th. After the 9th grade, I entered the MKAMS (architectural technical school) and for a long time I could not understand what they wanted from me. The taste for the profession came after the 3rd year, when we were sent for industrial practice. Then I got to the architect Boris Uborevich-Borovsky, whom my father and I accidentally met at one of the architectural exhibitions. The first salary set the direction of my activities and, in fact, predetermined my fate. I began to work in the profession with enthusiasm and continue to do so to this day. How it will turn out in the future, I do not guess, but now I do what I do best. For 4 years I was mainly engaged in large urban development projects, thanks to which I learned to think structurally, then I preferred to work independently. During my independent work, I came to the conclusion that in architecture and design, the object itself is secondary, what is important is communication with the environment in which you are designing, or the person for whom you are creating the object. This is, in essence, a formed life position that applies not only to architecture: I do not work with an object, I work with people.”
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